Recorded on: 25-26 July 2019
Recorded at: Audio Sorcery
The events in this story take place after Star Cops: Mother Earth and prior to Star Cops: Mars.
INTERVIEW WITH MIKE TUCKER
Q. Tell us a bit about your story (no spoilers!)
MT: My story centres around dubious goings on at a major corporation that provides fresh water to the Moonbase. Nathan and Colin are away checking out an incident on the Edgar Rice Burroughs space station, so it falls to Kenzy to take the lead on the investigation. I’ve also taken the opportunity to give Paul a sequence in the flooded ruins of Venice - a setting that the TV series wanted, but that proved to expensive to realise to a BBC budget.
Q. Where does your story fit in with the TV series?
MT: My story actually takes place between the two Big Finish audio series Star Cops: Mother Earth and Star Cops: Mars. There are situations and characters that arise as a direct consequence of the first series, and the story sets up a little of what is about to happen in the second.
Q.What is your background/history with Star Cops?
MT: Star Cops was being made at about the same time that I joined the BBC Visual Effects Department so I remember all of the props and models being built in the workshop, and spent a couple of days watching them being shot on the model stage. Sadly I never actually got to work on it because I was busy on episodes of Doctor Who and Red Dwarf, but following the closure of BBC VFX I salvaged a couple of the filming miniatures, which now reside on a shelf in my office.
Q. What is it about Star Cops that really interests you?
MT: The main appeal is that it comes from the imagination of Chris Boucher. Chris’s episodes of Doctor Who and Blake's 7 and his Halloween episode of Bergerac remain some of my favourite pieces of television, so the idea of playing with his characters was really appealing.
Q. What was the hardest thing to get right, writing your story?
MT: The hardest thing about a Star Cops novel is that you’re not actually writing science fiction, you’re writing a crime story - but a crime story that just happens to be set in space. That took a bit of concentration on my part to ensure that the clues, and subsequent uncovering of those clues, weren’t too obvious.
I watched the TV series through to get a general feel for the settings and characters, but given that I had the opportunity to make things a bit more cinematic, I also took a lot of cues from the Sean Connery/Peter Hyams film, Outland.
Q. What was it like to have Trevor Cooper read your story?
Trevor is great, because it’s Devis who drives a lot of the tension and humour in the book, so having his voice as the reader is perfect.
Q. Do you have a favourite Star Cops character?
MT: I like all of the leads - it’s a really good ensemble cast. Devis is a great character to write dialogue for, but Nathan Spring is the one who gives you the most to work with. I enjoyed writing him a lot!